#works 作品
Morgan WONG 黃榮法 http://morgan.wongwingfat.com/

(B.1984, lives and works in Hong Kong)

Time has always been a central subject in Morgan Wong’s work. Beyond individual experiences and social connotations, his subtle actions and gestures reveal the formal aesthetics of temporality – inevitable, relentless and yet exquisite. Wong works with a broad range of media, and focuses on performance, sculpture and video. His perceptions of time are mediated through objects as vehicles, luring us into his predicament regarding the irrepressibility of time as well as the pursuit of timelessness.

Recent solo shows include ‘Mean Time’, Centre A, Vancouver (2016), ‘The Dashes; The Laughter; The Reservoirs’, Asia Art Center, Taipei (2016), ‘Filing Down a Steel Bar Until a Needle is Made’, Tintype Gallery, London (2013). Also exhibited in ‘Line of Times’, Mill6 Foundation The Annex, Hong Kong (2017), ‘Seoul Babel’, Seoul Museum of Art, Seoul (2016), ‘Time Test: International Video Art Research Exhibition’, CAFA Art Museum, Beijing (2016), ‘Imagine There’s No Country, Above Us Only Our Cities’, Para Site, Hong Kong(2015), ‘8th Shenzhen Sculpture Biennale’, OCT Contemporary Art Terminal, Shenzhen (2014), ‘We Love Video This Summer’, Pace Beijing, Beijing (2014), ‘18th Videobrasil’, SESC Pompeia, Sao Paulo (2013), ‘Move on Asia-Video Art in Asia 2002 to 2012’, Media Museum ZKM, Karlsruhe (2013), ‘No Soul for Sale’, Tate Modern, London (2010), among others.


「時間」一直為黃榮法的創作主軸。黃氏通過微妙的行為,呈現時間超越個人經驗和社會含義的形式美學—既無從可避亦涼薄無情,但卻又精緻細膩。黃氏創作媒介廣泛,並專注於行為、雕塑和錄像。他借物件為載體,引領觀眾進入其對時間無法掌控的困境及對去時間性的追求。 近年個人展包括溫哥華亞洲當代藝術國際中心「Mean Time」(2016年)、臺北亞洲藝術中心「短劃;喧笑;水塘」(2016年),以及倫敦Tintype畫廊「鐵杵成針」(2013年)。黃氏亦曾展出於六廠基金會 The Annex「線之時空」(2017年)、首爾美術館「Seoul Babel」(2016年)、北京中央美術學院美術館「時間測試:國際錄影藝術研究觀摩展」(2016年)、香港Para Site「如果只有城籍而沒有國籍」(2015年)、深圳OCT當代藝術中心第八屆深圳雕塑雙年展(2014年)、北京佩斯北京「這個夏天我們愛影像」(2014年)、聖保羅SESC Pompeia第十八屆「Videobrasil」(2013年)、卡爾斯魯厄ZKM媒體美術館「Move On Asia - Video Art in Asia 2002 to 2012」(2013年)、倫敦泰特現代藝術館「No Soul for Sale」(2010年)等。